Richmond Times Dispatch, VA
September 13, 2007
Aerosmith's Joe Perry is pumped up for the challenge of staying relevant in a fickle world
Steven Tyler maintains a reputation as the mouthpiece of Aerosmith, but Joe Perry is no silent wallflower.
The blues-rockin' guitarist of Boston's most famous musical export has experienced the lows of irrelevance and the highs of sold-out arenas and multiplatinum albums.
He's been around long enough to understand that in an increasingly fickle music market, irrelevance could overtake the sellouts as fast as you can whisper "High School Musical."
So, unlike many of his lesser-esteemed industry peers, Perry is happy to talk, not for an instant giving the impression that he's a we're-not-worthy guitar god with better things to do than answer questions about "American Idol."
Though Aerosmith embarked on a world tour earlier this year -- its first in nearly a decade and last fall rattled some rafters on a joint run in the U.S. with Motley Crue, the band has grappled with some health issues.
In early 2006, Tyler underwent throat surgery. That August, bassist Tom Hamilton was diagnosed with throat cancer. Last fall, Tyler also announced that he had been receiving treatment for hepatitis C for the previous 11 months.
All are fine now, says Perry, who turned 57 on Monday, but the physical setbacks temporarily shelved plans for a new album.
No more.
After a handful of East Coast dates this month -- including Sunday at Nissan Pavilion Aerosmith (which also includes drummer Joey Kramer and guitarist Brad Whitford) will return to the studio to construct a raw, bluesy rock'n' roll album, which the band hopes to have wrapped and ready by early 2008.
Calling from his home in Boston last week, Perry discussed plans for the album, as well as his water-cooler stint on this season's "Idol" finale and why he loves Elvis and Jack White.
Q. So you just finished a world tour, where you returned to Europe for the first time in many years. How did it go and why go there now? A. The energy that we brought there -- it was almost like we had to rewin Europe. We were always just at the point where we were going to make it and be a household name there, and every time we'd get the momentum going something would happen.
I think the last time we played there was Wembley Stadium to 80,000 people in the late'90s. Then three years later, there wasn't a lot of interest in booking the band in some places there, so we waited it out.
Finally, the promoters stepped up to the plate and alternative music changed and we found that younger fans were more interested in hearing us and a band like ours -- the real deal from years gone by -- and for whatever reason it turned into a great tour.
We went over with this attitude that we had to prove ourselves, which is when we operate at our best. It's all about energy. It's not about adding more lights or the color of the drum riser. It's about a live event and getting people to forget about their day-to-day problems, not get them involved in some movement or another. We're just entertainers. We love to rock.
So you're not a fan of musicians with an agenda? When I'm a fan and I'm sitting in the crowd at CSN&Y and they're speaking about their social concerns, I know what I'm getting and they put on a great show. I saw them on this last tour, and I knew I was going to get a heavily political show and it doesn't bother me that much. Some of it I agree with; some of it I don't.
Since you're playing only a few dates this month, I take it you'll spend the rest of the year working on the new album? Is anything written yet? There's stuff in the can that we worked on. We were supposed to put out a studio album last year, but between Steven and Tom's medical problems, it never got going. We may use some of that or not. The band grows, and music that sounds good now might not sound as exciting in six months.
Coming off the "Honkin' on Bobo" album, do you think you'll stick with the bluesier side of things? The bluesy side is how we're built, but the more important thing is the energy that we have when the band plays live. The blues is a perfect vehicle for that.
I can't speak for everyone in the band, but I want to have a record that sounds like it was played live in the studio . . . Steven has a great ear for pop that's why we make such a good team.
Have you discussed producers? Do you think you'll work with Rick Rubin again? We've talked to a bunch but aren't sure who we're going to use yet. Now that Rick is kind of in the driver's seat at Sony [the band's label], we'll see. He's got a great sense of music and knows what rock'n' roll is and what the feeling is. It's about energy. But he also knows how to let a band breathe and be what it is.
You mentioned the health issues that Steven and Tom endured. How is Tom doing now that he's back [Hamilton rejoined the group in December]? He's great. He's loving it all the more. I can't imagine where I would be in my head if I went through that. He loves music. He lives it. He breathes it.
You recently taped an Elvis Presley special with Toby Keith ["Elvis: Viva Las Vegas," to air Tuesday on ABC]. How did that go? Being an Elvis fan, I knew there would be something coming down the pike [for the anniversary year], so I put my name in the hat. Toby -- I met him a few times, went to a couple of his shows and really loved his kind of country and western and rock, so for any reason I would have gotten up and played with him. It was really a dream.
We did "Mystery Train," because it has roots in the blues. It's almost a song you can't rehearse. It takes a real pro band and a loose rock'n' roll attitude to play a song like that.
Are there any new bands out there that you're digging? Do your sons turn you on to a lot of stuff? The bands that have the most influence on my guys right now are The Who and the White Stripes.
There's something about [the Stripes], aside from their obvious talent. There's something about their freedom. Jack [White] has really done his blues homework. He's captured the essence of how he feels.
When I saw them live, I couldn't stop thinking, Here's the ultimate garage band. They're the real deal. I've met Jack once and said hello, but I really don't know him well as a person.
All I know is what I hear and see, and I see someone who is really natural and at ease and articulate at expressing himself.
Let's talk about "American Idol." You appeared on the season finale. How was that experience? That was fun. It was another case of if you told me I was going to do that 20 years ago, I would have said, Ah, probably not. It's just the way the industry has changed.
TV and the Internet have become such integral parts of the music industry. In the'80s and'90s, it was MTV and VH1. It just changes. It's not like what's cool or what isn't.
It's obvious that people are totally entertained by this show just look at the ratings -- so if I have a chance to go on there and show what I do, why not? It's good for the band, it's good for me and the fans get to see me do something a little different.
I think a lot of people were surprised to see you on there. What do you think about what the show promotes? There have always been talent shows like that. "The Ed Sullivan Show" was almost like that, just not as competitive. But, more than ever, I hear some of the heaviest guitar sounds coming from car commercials rather than so-called rock radio stations, so this was really just another avenue for me to get out and play.
You can't keep your head in the sand and say, "It used to be like this." If that's what gets you off, fine. But I'd rather get out there and embrace this stuff.